The West Kowloon Cultural District Authority (WKCDA) is building a city within a city. It’s an ambitious project that is currently being constructed on a massive scale on 40 acres of reclaimed harbour-front land in West Kowloon, Hong Kong. Around 23 acres of open public space will join an enormous range of indoor and outdoor performance spaces, theatres, museums, galleries and dining and retail venues.
The District’s first major venue – the Xiqu Centre – is due to officially open in early 2019, with around 15 more cultural venues to follow in the coming years, including the M+ Museum of Contemporary Visual Culture, and the Hong Kong Palace Museum.
“Hong Kong is well known as a financial centre, but it's not necessarily known as a cultural centre, even though we have a long, rich history of art and culture,” says Kingsley Jayasekera, Director of Marketing and Customer Experience at WKCDA. “Creating this District is recognition that the creative industries matter, and it has been very much designed to enrich people's lives in Hong Kong.”
Jayasekera says the expansive District aims to strike a delicate balance between appealing to local residents and becoming an international tourism destination.
“This place has to be somewhere that local people feel ownership of and enjoy. At the same time, we also recognise that Hong Kong is a tourist destination, so we want somewhere an international visitor can come to experience something that feels like they are in Hong Kong.”
Jayasekera also explains that the WKCDA aims to attract people across all demographics to the vibrant district – from knowledgeable art lovers to young people keen to explore new cultural experiences.
“We recognise people have various interests and are at different life stages,” he says. “For example, someone might be an avid lover of contemporary theatre, but also a parent who wants to take their children to see family shows. We understand that people are much more complex than when they're viewed through a traditional customer lens. We want to reach out to all people.”
“We plan on using Salesforce to deliver a one-of-a-kind, personalised cultural experience to our customers.”
Jayasekera knows that a customer may interact with the District on a number of occasions before they become a paid ticketholder. These interactions represent an opportunity to gather the customer data Jayasekera and his team needs to create personalised experiences.
To do so, they need to manage complex, rich and deep content across many artistic events that vary from the most approachable free family activities to challenging experimental theatre to very academic talks and seminars.
“We must also work across multiple languages (Traditional Chinese, Simplified Chinese and English), and across a border between Hong Kong and the rest of the Greater Bay Area on the mainland with different social media, payment systems and currency,” he says.
Gloria Wong, Manager of Digital Communications at WKCDA, points out that as the number of journeys that different customers can experience at the District is quite diverse, “we need the capacity to deal with a range of customers and customer expectations whether they are attending theatres and museums, visiting retail and dining venues, going to offices, or simply enjoying open space. “It’s a challenging and ambitious project, but we plan on using Salesforce to deliver a one-of-a-kind, personalised cultural experience to our customers.
“While other organisations might have multiple systems serving different functions, we have positioned Salesforce as the centralised system. Login, registration, ticketing, wi-fi usage, membership, event registration, enquiry, and subscription will all happen within or interface with Salesforce on a real-time basis. This means we can react to the data easily and quickly to achieve better and more precise segmentation, and ultimately drive targeted marketing campaigns through email, website, advertisements or apps.”